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| #1376436 in Books | Cambridge University Press | 1994-01-28 | Original language:English | PDF # 1 | 8.98 x.43 x5.98l,.61 | File type: PDF | 188 pages | ||1 of 2 people found the following review helpful.| miss|By tsarpepe|I don't think I have ever read a book by a Nietzsche scholar so insensitive to what Nietzsche stood for. This is a very conscientious, workman-like scholarly essay, which manages to reduce its subject to its own stunted stature. Nietzsche's thoughts on art (and not only) are chewed over pedantically, their rhetorical shell discarded, the rest cut up into "premi||"Young has written a mature piece of scholarship that anchors Nietzsche's philosophy of art in Schopenhauerian pessimism...The author is intimately acquainted with Nietzsche's oeuvre and puts this detailed knowledge of Nietzsche's general philosophy to work in
This is the first comprehensive treatment of Nietzsche's philosophy of art to appear in English. Julian Young argues that Nietzsche's thought about art can only be understood in the context of his wider philosophy. In particular, he discusses the dramatic changes in Nietzschean aesthetics against the background of the celebrated themes of the death of God, eternal recurrence, and the idea of the Ubermensch. Young then divides Nietzsche's career, and his philosophy of a...
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